{"id":1495,"date":"2015-09-12T18:59:24","date_gmt":"2015-09-12T18:59:24","guid":{"rendered":"http:\/\/www.thepowerofstorytelling.org\/edition-2018\/?p=1495"},"modified":"2017-07-01T12:30:04","modified_gmt":"2017-07-01T12:30:04","slug":"supporter-stories-romanian-tales-as-told-by-hbo","status":"publish","type":"post","link":"https:\/\/www.thepowerofstorytelling.org\/edition-2018\/supporter-stories-romanian-tales-as-told-by-hbo\/","title":{"rendered":"Supporter stories: Romanian tales, as told by HBO"},"content":{"rendered":"

Episodul 1<\/em> (Episode 1) sought bold and original scripts inspired by realities in Romania, which tell a strong story and have at least one memorable character. 308 people sent scripts, some of them teenagers or students, some of them experienced people within the industry. Andra Radu, Original Production Research and Development Manager, says this is a really promising beginning.<\/p>\n

\u201cThe scripts were beyond our expectations. The contestants had a good understanding of what we were looking for. They understood we wanted a pilot for a series and they wrote it accordingly. Things that are really new in the film industry abroad can already be found in their scripts, even if they have no previous experience with writing for TV. We feel that a new wave of writers is coming \u2013 people who watch TV series constantly, and who truly understand the genre. We can work with many of them.\u201d<\/p>\n

Before Episodul 1, HBO teamed with the Transilvania Film Festival (TIFF) for 13 years on the National Script Contest, which gave awards to scripts for documentaries, short films and feature films. HBO didn\u2019t benefit directly from the subsequent projects, but was more of a supporter of young writers. Some of the winning scripts have become movies, such as Ioan Antoci\u2019s C\u00e2inele japonez<\/em>, directed by Tudor Jurgiu.<\/p>\n

HBO\u2019s involvement in developing the Romanian film industry remains constant. Romanian films are being aired and promoted by the channel, and HBO Romania has also helped produce many recent award-winning documentaries, such as Alexander Nanau<\/a>\u2019s Toto \u0219i surorile lui<\/em> (Toto and His Sisters), and Lumea v\u0103zut\u0103 de Ion B. <\/em>(The World According to Ion B.). HBO Europe has produced and run three series: R\u0103m\u00e2i cu mine<\/em>, \u00cen deriv\u0103,<\/em> and Umbre, <\/em>the last being by far its most successful product done in Romania.<\/p>\n

More and more people have become interested in watching TV series in the past few years, said HBO\u2019s PR Coordinator Ofelia N\u0103stase, and the ones produced by HBO have definitely had an influence on what people now expect from this kind of media products. Although it\u2019s hard to show in numbers how this interest is reflected in the channel\u2019s programming, Ofelia says the percentage of TV series has certainly gone up.<\/p>\n

It is not yet known if Datoria<\/em>, the winning script of Episodul 1 will be turned into a series, but Lauren\u021biu Gabriel Rusescu, the winner of the $2.500 prize will participate in discussions about the possibility of further collaboration. The subject of his script cannot yet be revealed, but Andra Radu says, it was the closest to what HBO is looking for. Although there is only one winner, the HBO team plans to start conversations with all the five finalists, and also with some other scriptwriters that have shown great potential.<\/p>\n

Part of a series dedicated to the supporters who help make the conference possible. We thank them for their contribution.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Episodul 1 (Episode 1) sought bold and original scripts inspired by realities in Romania, which tell a strong story and have at least one memorable character. 308 people sent scripts, some of them teenagers or students, some of them experienced people within the industry. Andra Radu, Original Production Research and Development Manager, says this is … Continue reading Supporter stories: Romanian tales, as told by HBO<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":1496,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[24],"tags":[35,38,78],"_links":{"self":[{"href":"https:\/\/www.thepowerofstorytelling.org\/edition-2018\/wp-json\/wp\/v2\/posts\/1495"}],"collection":[{"href":"https:\/\/www.thepowerofstorytelling.org\/edition-2018\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thepowerofstorytelling.org\/edition-2018\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thepowerofstorytelling.org\/edition-2018\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thepowerofstorytelling.org\/edition-2018\/wp-json\/wp\/v2\/comments?post=1495"}],"version-history":[{"count":7,"href":"https:\/\/www.thepowerofstorytelling.org\/edition-2018\/wp-json\/wp\/v2\/posts\/1495\/revisions"}],"predecessor-version":[{"id":2976,"href":"https:\/\/www.thepowerofstorytelling.org\/edition-2018\/wp-json\/wp\/v2\/posts\/1495\/revisions\/2976"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thepowerofstorytelling.org\/edition-2018\/wp-json\/wp\/v2\/media\/1496"}],"wp:attachment":[{"href":"https:\/\/www.thepowerofstorytelling.org\/edition-2018\/wp-json\/wp\/v2\/media?parent=1495"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thepowerofstorytelling.org\/edition-2018\/wp-json\/wp\/v2\/categories?post=1495"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thepowerofstorytelling.org\/edition-2018\/wp-json\/wp\/v2\/tags?post=1495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}